I’ve come across a novel called The Palm-Wine Drinkard, by the Nigerian writer Amos Tutuola, that is really remarkable because it is a kind of fantasy of West African mythology all told in West African English which, of course, is not the same as standard English.
WILLIAM GOLDINGLife should serve up its feast of experience in a series of courses.
More William Golding Quotes
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The rules!” shouted Ralph, “you’re breaking the rules!” “Who cares?
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Together, joined in effort by the burden, they staggered up the last steep of the mountain. Together, they chanted One! Two! Three! and crashed the log on to the great pile. Then they stepped back, laughing with triumphant pleasure.
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I began to write when I was seven, and I have been writing off and on ever since. It is still off and on. You can say that when I am on, when I know I have a book which I am going to write, then I write two thousand words a day. That’s so many pages longhand.
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Language fits over experience like a straight-jacket.
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One’s intelligence may march about and about a problem, but the solution does not come gradually into view. One moment it is not. The next it is there.
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I believe man suffers from an appalling ignorance of his own nature. I produce my own view in the belief that it may be something like the truth.
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The greatest pleasure is not – say – sex or geometry. It is just understanding. And if you can get people to understand their own humanity – well, that’s the job of the writer.
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I hope my books make statements about our general condition.
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He who rides the sea of the Nile must have sails woven of patience.
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Art is partly communication, but only partly. The rest is discovery.
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I am by nature an optimist and by intellectual conviction a pessimist.
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A crowd of grade-three thinkers, all shouting the same thing, all warming their hands at the fire of their own prejudices, will not thank you for pointing out the contradictions in their beliefs. Man is a gregarious animal, and enjoys agreement as cows will graze all the same way on the side of a hill.
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I do think that art that doesn’t communicate is useless.
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An orotundity, which I define as Nobelitis a pomposity in which one is treated as representative of more than oneself by someone conscious of representing more than himself.
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Beethoven for listening; Liszt, Chopin, and Beethoven for playing as well as Bach and Prokofiev and so on. If I kept going, this list would spiral. It’s as wide as literature; in fact, it is probably wider.
WILLIAM GOLDING