I have dangerous bones in my body.
VIN DIESELA transvestite spends her entire life trying to look as feminine as possible and I have clearly spent mine celebrating my masculinity.
More Vin Diesel Quotes
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If you believe in the project, you have to support it.
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I think there’s something we all relate to about wanting to get to our most primal self.
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Of course, I don’t act in an extreme fashion in my day to day life. I don’t think any of us live do. I think we all have that reserve somewhere and we pull upon it when we need it.
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Any film that you see is never just the director. If it’s a film that you love, it’s not so easy to say, “Oh it’s directed by this person – that means everything that person directs is going be wonderful.”
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If you take my performance or my understanding of the role and my appreciation for story and then dress it in CGI, that I guess becomes an action film.
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I could care less about being an action actor like Stallone or Schwarzenegger.
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I shaved my head about 15 years ago and the first time I shaved it, I started running my hand through my hair and it was very therapeutic.
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I live my life a quarter mile at a time. Nothing else matters: not the mortgage, not the store, not my team and all their bullshit. For those ten seconds or less, I’m free.
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I started acting when I was seven-years-old. By the time I was 17 I would say: “If I’m not a star by the time I’m 18, I’ll get out of the business.”
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When you go to the movies with your whole family, it’s a different experience. For some reason, it’s something that you’re all doing together and you take away something special in that.
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Filmmaking is such a collaborative piece of art that you can’t look to one person – you couldn’t look to me, you couldn’t say, ‘Because Vin’s in it, it’s this or that.’ It’s really all of us coming together for that period of time to try and make magic.
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If you had asked me back in grade school what I wanted to be when I grew up, I would have said my first choice was an actor, but if I couldn’t be that, I’d want to be a superhero.
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I grew up in an artists community in New York, in a building that was government-subsidised for artists. No one made any money, but they made art for the sake of art.
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I used to feel guilty about owning a console.
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I was the oldest of the children in my family. I had to do a lot of diaper-changing and lunch-making. I was taking my little sister to ballet, picking up my brother, sort of being a super-nanny.
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