We’ve come a long way, from where we’ve been. I’ll tell you all about it when I see you again.
VIN DIESELI love thinking about the film, the project and committing myself as much as possible.
More Vin Diesel Quotes
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I love thinking about the film, the project and committing myself as much as possible.
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I think there’s something we all relate to about wanting to get to our most primal self.
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I believe in paying special attention to every project that you do and supporting the projects you do.
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If I’m on set and I’m in character, I’m not thinking like a producer. If I’m on set and I’m not in character, wardrobe and make-up, and I’m just coming on set for the moments that I’m not shooting, then I’m able to be the producer.
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When you come onto the set, everything should be focused around your character and you should stay in the pocket, as much as possible. Every actor has their own process. For me, I really need to stay in the pocket.
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When I was a child actor, I had the fear that I was going to be cast as the tree.
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I envision the future sunny and with love, harmony and oneness. I think Hollywood is changing.
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I’m not really afraid of the dark, except if I’m walking. The thing that scares me the most is the possibility of walking into a wall and busting my lip.
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I’m a perfectionist. I’m very critical, especially artistically.
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It would be flattering to call it a modern Dirty Harry, but I think this film deals more with the loss of his wife than the traditional revenge vigilante films.
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Filmmaking is such a collaborative piece of art that you can’t look to one person – you couldn’t look to me, you couldn’t say, ‘Because Vin’s in it, it’s this or that.’ It’s really all of us coming together for that period of time to try and make magic.
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The thing that stood out above and beyond all the experiences was this relationship with the nine-month-old baby. On weekends, I’d be thinking about going back to set on Monday just to see the baby.
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I haven’t had that many weird encounters with fans, thank God.
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A transvestite spends her entire life trying to look as feminine as possible and I have clearly spent mine celebrating my masculinity.
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I grew up in an artists community in New York, in a building that was government-subsidised for artists. No one made any money, but they made art for the sake of art.
VIN DIESEL






