Those books of mine that are remunerative – I’m not talking about poetry here – take years to write, and I am never sure they’ll be successful. So writing is a risk in more senses than one.
I certainly think its very important that writers as citizens – not necessarily as writers, but just as ordinary citizens – should talk about things that matter to them.
You have to learn a few things, which you do along the way, but basically, poetry is a matter of the ear. Iambic pentameters or what constitutes a stanza comes naturally – your ears will know.
Revision has its own peculiar pleasures and its own peculiar frustrations. The ground rules are already established; the characters already exist. You don’t have to bring the characters to life, but you do have to make them more convincing.
And the process of reading is such a private one. I once came into a room where a friend of mine was reading one of my books, and he clicked his tongue impatiently and shooed me off.
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