There was no relationship between a wedding dress and fashion. There was no good taste, either. I realized that I could make an impression in terms of changing and readdressing the whole industry of bridal.
VERA WANGI brought color to bridal. There was one whole season of blush. If you think about the bareness, the illusion (fabric), the corsets that I did in bridal, they were trends in ready-to-wear, too.
More Vera Wang Quotes
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I see myself as an arbiter of taste.
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I do speak Mandarin, and I also relate to the hunger that China has for culture and architecture and style.
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A woman is never sexier than when she is comfortable in her clothes.
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I am not the sort of woman who would wear high heels with a bathing suit. Let’s get that straight right now.
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Fashion to me has become very disposable; I wanted to get back to craft, to clothes that could last.
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I see myself as a true modernist. Even when I do a traditional gown, I give it a modern twist. I go to the past for research. I need to know what came before so I can break the rules.
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I make things of my own that aren’t that glam, but I’m not known for that, which has always been a bit of a frustration for me.
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I’ve been designing since I was 8. I started sketching dresses I could wear when skating. I was always involved in all aspects of skating, not just the technique, the choreography, the music, but the visual aspects, too – what I should wear.
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When I decided to get married at 40, I couldn’t find a dress with the modernity or sophistication I wanted. That’s when I saw the opportunity for a wedding gown business.
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I started at the very highest level so the upper end is something I know very well. I know it instinctively. But all the years I was designing, it frustrated me that I could reach so few women.
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It’s a remarkable exercise to sit and look at your own work over the years.
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Design is about point of view, and there should be some sort of woman or lifestyle or attitude in one’s head as a designer.
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I wanted to define the vocabulary of a wedding both visually and intellectually. The book is about more than weddings or wedding dresses. It’s a metaphor for women’s lives, their creativity.
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Let’s be realistic, how many people are buying a $2,000 skirt? I love to design things that people can actually buy. I’m staggered by what a boot costs today.
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I always see where I didn’t do things the right way. I only see the heavy lifting. That’s a bit of my wisdom, if you want to call it that.
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