When I decided to get married at 40, I couldn’t find a dress with the modernity or sophistication I wanted. That’s when I saw the opportunity for a wedding gown business.
VERA WANGWe got a lot of letters of people who didn’t like them, like my own family who thought they were unnecessary and unpleasant and taking advantage of women in a sad situation – I never saw that. And I think that sometimes, you have to take a risk.
More Vera Wang Quotes
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I wanted to define the vocabulary of a wedding both visually and intellectually. The book is about more than weddings or wedding dresses. It’s a metaphor for women’s lives, their creativity.
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The key is falling in love with something, anything. If your heart’s attached to it, then your mind will be attached to it.
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A woman is never sexier than when she is comfortable in her clothes.
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When I design a wedding dress with a bustle, it has to be one the bride can dance in. I love the idea that something is practical and still looks great.
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It’s hard to juggle being a businessperson with being a creative person. You have to organize yourself – PR needs me for PR, and the licensing division needs me for licensing, the bridal people need me for bridal.
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Brides today are increasingly sensitive to the tastes, feelings and finances of their attendants.
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I make things of my own that aren’t that glam, but I’m not known for that, which has always been a bit of a frustration for me.
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I do speak Mandarin, and I also relate to the hunger that China has for culture and architecture and style.
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I was trying to manage school and training for the Olympics and ended up not doing well at either. That was a big lesson in my life. My mother expected both.
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I like the gritty parts of fashion, the design, the studio, the pictures.
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It’s for all the women who embrace my aesthetic, but can’t afford a Vera Wang dress. If women can get anything out of it – a little bit of me or a lot of me, that’s what’s important.
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I was the girl who nobody thought would ever get married. I was going to be a fashion nun the rest of my life. There are generations of them, those fashion nuns, living, eating, breathing clothes.
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All I did my first year at Vogue was Xerox.
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I brought color to bridal. There was one whole season of blush. If you think about the bareness, the illusion (fabric), the corsets that I did in bridal, they were trends in ready-to-wear, too.
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One thing about skating that I don’t think people focus on enough is the music factor. The music is a huge component of figure skating. It can dictate not only the choreography but the emotion. If it’s not the right music it can ruin a performance.
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