His ignorance seemed to widen with everything he read.
V.S. NAIPAULAs a child I knew almost nothing, nothing beyond what I had picked up in my grandmother’s house. All children, I suppose, come into the world like that, not knowing who they are.
More V.S. Naipaul Quotes
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If you decide to move to another country and to live within its laws you don’t express your disregard for the essence of the culture. It’s a form of aggression.
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But everything of value about me is in my books.
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We cannot understand all the traits we have inherited. Sometimes we can be strangers to ourselves.
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One isn’t born one’s self. One is born with a mass of expectations, a mass of other people’s ideas – and you have to work through it all.
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The writer is all alone.
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All cultures have been mingled forever.
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To this day, if you ask me how I became a writer, I cannot give you an answer. To this day, if you ask me how a book is written, I cannot answer. For long periods, if I didn’t know that somehow in the past I had written a book, I would have given up.
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I’m thought to be a tough writer, but I’m really a softie.
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The melancholy thing about the world is that it is full of stupid people; and the world is run for the benefit of the stupid and common.
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The only lies for which we are truly punished are those we tell ourselves.
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It has had a calamitous effect on converted peoples. To be converted you have to destroy your past, destroy your history. You have to stamp on it, you have to say ‘my ancestral culture does not exist, it doesn’t matter’.
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In a way my reputation has become that of the curmudgeon.
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I became very interested in the Islamic question, and thought I would try to understand it from the roots, ask very simple questions and somehow make a narrative of that discovery.
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I’m my own writer. My material means I’m entirely separate.
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I read a piece of writing and within a paragraph or two I know whether it is by a woman or not.
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All the things that were read to me by my father were stories about things becoming all right.
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Writing has to support itself.
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Life doesn’t have a neat beginning and a tidy end; life is always going on. You should begin in the middle and end in the middle, and it should be all there.
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I know my father and my mother, but beyond that I cannot go. My ancestry is blurred.
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Some writers can only deal with childhood experience, because it’s complete. For another kind of writer, life goes on, and he’s able to keep processing that as well.
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It is wrong to have an ideal view of the world. That’s where the mischief starts. That’s where everything starts unravelling.
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One always writes comedy at the moment of deepest hysteria.
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The family feuds or the village feuds often had to do with an idea of honor. Perhaps it was a peasant idea; perhaps this idea of honor is especially important to a society without recourse to law or without confidence in law.
V.S. NAIPAUL -
As a child I knew almost nothing, nothing beyond what I had picked up in my grandmother’s house. All children, I suppose, come into the world like that, not knowing who they are.
V.S. NAIPAUL -
All the details of the life and the quirks and the friendships can be laid out for us, but the mystery of the writing will remain. No amount of documentation, however fascinating, can take us there.
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I’ve never abandoned the novel.
V.S. NAIPAUL