Usually, someone who’s in a show gets me a ticket. I feel cornered. I can’t walk out if I don’t like it.
UTA HAGENI’m a bad liar; I don’t know what to say backstage.
More Uta Hagen Quotes
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I love going to the movies; I love watching good movie actors. They must know something I don’t.
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Once in a while, there’s stuff that makes me say, That’s what theatre’s about. It has to be a human event on the stage, and that doesn’t happen very often.
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This concept must be changed; we must realize in our bones that almost everything in time and history has changed except the human being.
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I think, by and large, the level of acting is mediocre. When I go to the theatre, I get so angry. I don’t go.
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Maybe the one I enjoyed playing most was A Month in the Country.
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The actor must know that since he, himself, is the instrument, he must play on it to serve the character with the same effortless dexterity with which the violinist makes music on his. Just because he doesn’t look like a violin is no reason to assume his techniques should be thought of as less difficult.
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One cannot demand of art that it pay you in any other way than in the satisfaction of the work itself.
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We had a relationship that lasted 44 years. Herbert and I lived together 10 years before we were married. He always gave me a little heart for whatever anniversary.
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The knowledge that every day there is something more to learn, something higher to reach for, something new to make for others, makes each day infinitely precious
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no work of art is ever finished, nothing is ever static, no performance is for keeps.
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I won’t go to England because they won’t let my dog in.
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Since the time of the ancient Greeks a democracy has depended on its philosophers and creative artists. It can only flourish by continuous probing, prodding, and questioning of the social conditions under which man exists and tries to better himself.
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We must overcome the notion that we must be regular… it robs you of the chance to be extraordinary and leads you to the mediocre.
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It must be noted that it is often the colleague or direct disciple of a new thinker who gets stuck in literal interpretations of the work, tending to freeze the new ideas and language into an inflexible, static condition.
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Talent is an amalgam of high sensitivity; easy vulnerability; high sensory equipment (seeing, hearing, touching, smelling, tasting intensely); a vivid imagination as well as a grip on reality; the desire to communicate one’s own experience and sensations, to make one’s self heard and seen.
UTA HAGEN