Usually, someone who’s in a show gets me a ticket. I feel cornered. I can’t walk out if I don’t like it.
UTA HAGENI’m a bad liar; I don’t know what to say backstage.
More Uta Hagen Quotes
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no work of art is ever finished, nothing is ever static, no performance is for keeps.
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We had a relationship that lasted 44 years. Herbert and I lived together 10 years before we were married. He always gave me a little heart for whatever anniversary.
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If you want a bourgeois existence, you shouldn’t be an actor. You’re in the wrong profession.
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The actor must know that since he, himself, is the instrument, he must play on it to serve the character with the same effortless dexterity with which the violinist makes music on his. Just because he doesn’t look like a violin is no reason to assume his techniques should be thought of as less difficult.
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I won’t go to England because they won’t let my dog in.
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I love playing Chekhov. That’s the hardest; that’s why I love it most.
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Maybe the one I enjoyed playing most was A Month in the Country.
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We must overcome the notion that we must be regular… it robs you of the chance to be extraordinary and leads you to the mediocre.
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Working with Brando was fun. It was like a tennis match. We played unbelievably well together.
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One cannot demand of art that it pay you in any other way than in the satisfaction of the work itself.
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Once in a while, there’s stuff that makes me say, That’s what theatre’s about. It has to be a human event on the stage, and that doesn’t happen very often.
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Keep pace with the present. Take a trip to the moon. envision the future.
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Talent is an amalgam of high sensitivity; easy vulnerability; high sensory equipment (seeing, hearing, touching, smelling, tasting intensely); a vivid imagination as well as a grip on reality; the desire to communicate one’s own experience and sensations, to make one’s self heard and seen.
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Awards don’t really mean much.
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Marlon was so sensitive, you thought the poor guy just had a bad education.
UTA HAGEN