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I’m a bad liar; I don’t know what to say backstage.

Uta Hagen

We must overcome the notion that we must be regular… it robs you of the chance to be extraordinary and leads you to the mediocre.
UTA HAGEN

Chance Elad Extraordinary Mediocre Must Notion Overcome Regular Rob
The actor must know that since he, himself, is the instrument, he must play on it to serve the character with the same effortless dexterity with which the violinist makes music on his. Just because he doesn’t look like a violin is no reason to assume his techniques should be thought of as less difficult.
UTA HAGEN

Actor Character Dexterity Effortless Instrument Same Since
For some strange reason, we believe that anyone who lived before we were born was in some peculiar way a different kind of human being from any we have come in contact with in our own lifetime.
UTA HAGEN

Before Born Different Human Being Kind Live Peculiar Reason Some Strange
The knowledge that every day there is something more to learn, something higher to reach for, something new to make for others, makes each day infinitely precious
UTA HAGEN

Day Every Higher Knowledge Learn Make More Other Rach Something
Thoughts and feelings are suspended in a vacuum unless they instigate and feed the selected actions, and it is the characters actions which reveal the character in the play.
UTA HAGEN

Action Character Feed Feeling Instigate Reveal Selected Suspend Unless Vacumn
Working with Brando was fun. It was like a tennis match. We played unbelievably well together.
UTA HAGEN

Country Fun Like Match Tennis Together Unbelievable Work
Marlon was so sensitive, you thought the poor guy just had a bad education.
UTA HAGEN

Country Education Guy Person Poor Sensitive
Once in a while, there’s stuff that makes me say, That’s what theatre’s about. It has to be a human event on the stage, and that doesn’t happen very often.
UTA HAGEN

Event Happen Human Make Man One Stage Theatre Very While
All tedious research is worth one inspired moment.
UTA HAGEN

Inspire Moment One Worth
To rebel or revolt against the status quo is in the very nature of an artist.
UTA HAGEN

Against Artist Natural Quo Rebel Revolt Status
This concept must be changed; we must realize in our bones that almost everything in time and history has changed except the human being.
UTA HAGEN

Almost Bone Change Concept Everything History Human Realize
I think, by and large, the level of acting is mediocre. When I go to the theatre, I get so angry. I don’t go.
UTA HAGEN

Act Angry Go Large Level Mediocre Theatre Think
Talent is an amalgam of high sensitivity; easy vulnerability; high sensory equipment (seeing, hearing, touching, smelling, tasting intensely); a vivid imagination as well as a grip on reality; the desire to communicate one’s own experience and sensations, to make one’s self heard and seen.
UTA HAGEN

Amalgam Equipment High Sensitivity Sensory Talent Vivid Vulnerability
no work of art is ever finished, nothing is ever static, no performance is for keeps.
UTA HAGEN

Art Ever Finish Keep Performance Static Work
I’m a bad liar; I don’t know what to say backstage.
UTA HAGEN

Backstage Bad Liar Way
Since the time of the ancient Greeks a democracy has depended on its philosophers and creative artists. It can only flourish by continuous probing, prodding, and questioning of the social conditions under which man exists and tries to better himself.
UTA HAGEN

Ability Country Democracy Dependent Dissent Dogma Philosopher Prescribe Since Time

I’m a bad liar; I don’t know what to say backstage.

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I’m a bad liar; I don’t know what to say backstage.

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