This concept must be changed; we must realize in our bones that almost everything in time and history has changed except the human being.
UTA HAGENThis concept must be changed; we must realize in our bones that almost everything in time and history has changed except the human being.
More Uta Hagen Quotes
-
-
Since the time of the ancient Greeks a democracy has depended on its philosophers and creative artists. It can only flourish by continuous probing, prodding, and questioning of the social conditions under which man exists and tries to better himself.
UTA HAGEN -
Maybe the one I enjoyed playing most was A Month in the Country.
UTA HAGEN -
Once in a while, there’s stuff that makes me say, That’s what theatre’s about. It has to be a human event on the stage, and that doesn’t happen very often.
UTA HAGEN -
I love playing Chekhov. That’s the hardest; that’s why I love it most.
UTA HAGEN -
I’m a bad liar; I don’t know what to say backstage.
UTA HAGEN -
All tedious research is worth one inspired moment.
UTA HAGEN -
no work of art is ever finished, nothing is ever static, no performance is for keeps.
UTA HAGEN -
I think, by and large, the level of acting is mediocre. When I go to the theatre, I get so angry. I don’t go.
UTA HAGEN -
Marlon was so sensitive, you thought the poor guy just had a bad education.
UTA HAGEN -
Keep pace with the present. Take a trip to the moon. envision the future.
UTA HAGEN -
I love going to the movies; I love watching good movie actors. They must know something I don’t.
UTA HAGEN -
It must be noted that it is often the colleague or direct disciple of a new thinker who gets stuck in literal interpretations of the work, tending to freeze the new ideas and language into an inflexible, static condition.
UTA HAGEN -
Working with Brando was fun. It was like a tennis match. We played unbelievably well together.
UTA HAGEN -
The need to be loved and protected is at a peak when we feel abandoned and are particularly vulnerable to difficult circumstances.
UTA HAGEN -
The actor must know that since he, himself, is the instrument, he must play on it to serve the character with the same effortless dexterity with which the violinist makes music on his. Just because he doesn’t look like a violin is no reason to assume his techniques should be thought of as less difficult.
UTA HAGEN