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The creative adult is the child who has survived.

Ursula K. Le Guin

Safety lies in catering to the in-group. We are not all brave. All I would ask of writers who find it hard to question the universal validity of their personal opinions and affiliations is that they consider this:
URSULA K. LE GUIN

All Ask Brave Catering Group Lie Opinion Personal Question Safety Validity Writer
There’s a point, around the age of twenty, when you have to choose whether to be like everybody else the rest of your life, or to make a virtue of your peculiarities.
URSULA K. LE GUIN

Age Around Choose Else Everybody Joint Life Make Rest Virtue Whether
The performance is silent. The readers hear the sounds of the words and the beat of the sentences only in their inner ear. Silent drummers on noiseless drums. An amazing performance in an amazing theater.
URSULA K. LE GUIN

Amazing Drummer Ebit Noiseless Performance Raeder Sentence Silent Theatre
When the genuine myth rises into consciousness, that is always its message. You must change your life.
URSULA K. LE GUIN

Always Change Consciousness Genuine Life Message Myth Rise
Nobody who says, ‘I told you so’ has ever been, or will ever be, a hero.
URSULA K. LE GUIN

Been Ever Hero Nobody Say Told
The two imperatives can no longer coexist with each other; nor can any society founded on the myth that they can be reconciled hope to survive.
URSULA K. LE GUIN

Coexist Each Found Hope Imperative Longer Myth Other Reconcile Silence Society
The mountains clench their great hands full of hidden fire. There are sharks in the sea, and there is cruelty in men’s eyes.
URSULA K. LE GUIN

Clench Cruelty Dull Eye Fire Great Hand Hidden Men Mountain Sea Shark
Fantasy is not antirational, but pararational; not realistic but surrealistic, a heightening of reality. In Freud’s terminology, it employs primary not secondary process thinking. It employs archetypes which, as Jung warned us, are dangerous things.
URSULA K. LE GUIN

Fantasy Height Realistic Reality Surrealistic Traditional
Light is the left hand of darkness and darkness the right hand of light. Two are one, life and death, lying together like lovers in kemmer, like hands joined together, like the end and the way.
URSULA K. LE GUIN

Darkness Death Hand Join Left Life Light Lover Lying Right Together Two
Only in silence the word, only in dark the light, only in dying life: bright the hawk’s flight on the empty sky.
URSULA K. LE GUIN

Bright Die Empty Hawk Light Only Silence Sky Word
You sit down and you do it, and you do it, and you do it, until you have learned to do it.
URSULA K. LE GUIN

Down Learn Sit Until
While we read a novel, we are insane-bonkers. We believe in the existence of people who aren’t there, we hear their voices… Sanity returns (in most cases) when the book is closed.
URSULA K. LE GUIN

Banker Believe Existence Hear Insane Novel People Raed Voice
It is good to have an end to journey towards; but it is the journey that matters, in the end.
URSULA K. LE GUIN

End Good Journey Matters Towards
As you read a book word by word and page by page, you participate in its creation, just as a cellist playing a Bach suite participates, note by note, in the creation, the coming-to-be, the existence, of the music.
URSULA K. LE GUIN

Bach Book Creation Note Page Participate Play Read Select Suite Word
A writer is a person who cares what words mean, what they say, how they say it… By using words well they strengthen their souls.
URSULA K. LE GUIN

Care Mena Say Soul Strengthen Use Well Word Writer
I believe that maturity is not an outgrowing, but a growing up: that an adult is not a dead child, but a child who survived.
URSULA K. LE GUIN

Adult Believe Child Dead Maturity Outgrowing Survive

The creative adult is the child who has survived.

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The creative adult is the child who has survived.

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