The dance is always danced above the hollow place, above the terrible abyss.
URSULA K. LE GUINThe light is the left hand of darkness.
More Ursula K. Le Guin Quotes
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The mountains clench their great hands full of hidden fire. There are sharks in the sea, and there is cruelty in men’s eyes.
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As a kitten does what all other kittens do, so a child wants to do what other children do, with a wanting that is as powerful as it is mindless. Since we human beings have to learn what we do, we have to start out that way, but human mindfulness begins where that wish to be the same leaves off.
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If it were proven that there is no God there would be no religion. …But also if it were proven that there is a God, there would be no religion.
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To the lives that haven’t been lived yet. That will be my gift back to the world that gave me the life I did live, the love I loved, the breath I breathed.
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Hope is a slow business.
URSULA K. LE GUIN -
Before the moon I am, what a woman is, a woman of power, a woman’s power, deeper than the roots of trees, deeper than the roots of islands, older than the Making, older than the moon.
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Reading is performance. The reader–the child under the blanket with a flashlight, the woman at the kitchen table, the man at the library desk–performs the work.
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To have a choice at all is to be privileged.
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But it is one thing to read about dragons and another to meet them.
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Besides, when you say you’re a feminist it annoys the bigots and the old farts and the prissy ladies so much, it’s kind of irresistible.
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The story is not in the plot but in the telling.
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Even with the best intentions, language misused, language used stupidly, carelessly, brutally, language used wrongly, breeds lies, half-truths, confusion. In that sense you can say that grammar is morality. And it is in that sense that I say a writer’s first duty is to use language well.
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The performance is silent. The readers hear the sounds of the words and the beat of the sentences only in their inner ear. Silent drummers on noiseless drums. An amazing performance in an amazing theater.
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It doesn’t have to be plugged in, activated, or performed by a machine; all it needs is light, a human eye, and a human mind. It is not one of a kind, and it is not ephemeral. It lasts. It is reliable.
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In the tale, in the telling, we are all one blood. Take the tale in your teeth, then, and bite till the blood runs, hoping it’s not poison; and we will all come to the end together, and even to the beginning: living, as we do, in the middle.
URSULA K. LE GUIN