It is very hard for evil to take hold of the unconsenting soul.
URSULA K. LE GUINI believe that all the best faculties of a mature human being exist in the child. . . that one of the most deeply human, and humane, of these faculties is the power of imagination.
More Ursula K. Le Guin Quotes
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Even with the best intentions, language misused, language used stupidly, carelessly, brutally, language used wrongly, breeds lies, half-truths, confusion. In that sense you can say that grammar is morality. And it is in that sense that I say a writer’s first duty is to use language well.
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Lying is the misuse of language. We know that. We need to remember that it works the other way round too.
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We will not know our own injustice if we cannot imagine justice. We will not be free if we do not imagine freedom.
URSULA K. LE GUIN -
Odonianism is anarchism. Not the bomb-in-the-pocket stuff, which is terrorism, whatever name it tries to dignify itself with, not the social-Darwinist economic ‘libertarianism’ of the far right; but anarchism, as prefigured in early.
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To hear, one must be silent.
URSULA K. LE GUIN -
as a writer you are free. You are about the freest person that ever was. Your freedom is what you have bought with your solitude, your loneliness.
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But where I can get prickly and combative is, if I’m just called a sci-fi writer. I’m not. I’m a novelist and poet. Don’t shove me into your damn pigeonhole, where I don’t fit, because I’m all over.
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Listen.’ For being saved is not the point. Music saves nothing. Merciful, uncaring, it denies and breaks down all the shelters, the houses men build for themselves, that they may see the sky.
URSULA K. LE GUIN -
What good is music? None … and that is the point. To the world and its states and armies and factories and Leaders, music says, ‘You are irrelevant’; and, arrogant and gentle as a god, to the suffering man it says only, ‘
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Success is somebody else’s failure.
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My world, my Earth is a ruin. A planet spoiled by the human species. We multiplied and fought and gobbled until there was nothing left, and then we died.
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In the tale, in the telling, we are all one blood. Take the tale in your teeth, then, and bite till the blood runs, hoping it’s not poison; and we will all come to the end together, and even to the beginning: living, as we do, in the middle.
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I believe that maturity is not an outgrowing, but a growing up: that an adult is not a dead child, but a child who survived.
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First sentences are doors to worlds.
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To see that your life is a story while you’re in the middle of living it may be a help to living it well.
URSULA K. LE GUIN