Take the tale in your teeth, then, and bite till the blood runs, hoping it’s not poison.
URSULA K. LE GUINYou are in the country where you make up the rules, the laws. You are both dictator and obedient populace. It is a country nobody has ever explored before. It is up to you to make the maps, to build the cities.
More Ursula K. Le Guin Quotes
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Light is the left hand of darkness and darkness the right hand of light. Two are one, life and death, lying together like lovers in kemmer, like hands joined together, like the end and the way.
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Hope is a slow business.
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Even with the best intentions, language misused, language used stupidly, carelessly, brutally, language used wrongly, breeds lies, half-truths, confusion. In that sense you can say that grammar is morality. And it is in that sense that I say a writer’s first duty is to use language well.
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The book itself is a curious artifact, not showy in its technology but complex and extremely efficient: a really neat little device, compact, often very pleasant to look at and handle, that can last decades, even centuries.
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We cannot demand that anyone try to attain justice and freedom who has not had a chance to imagine them as attainable.
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I don’t think ‘science fiction’ is a very good name for it, but it’s the name that we’ve got. It is different from other kinds of writing, I suppose, so it deserves a name of its own.
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The danger in trying to do good is that the mind comes to confuse the intent of goodness with the act of doing things well.
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Fantasy is nearer to poetry, to mysticism, and to insanity than naturalistic fiction is. It is a wilderness, and those who go there should not feel too safe.
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We read books to find out who we are. What other people, real or imaginary, do and think and feel… is an essential guide to our understanding of what we ourselves are and may become.
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A writer either speaks to adults and bores kids, or speaks to kids and upsets adults.
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Injustice makes the rules, and courage breaks them.
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Fantasy is not antirational, but pararational; not realistic but surrealistic, a heightening of reality. In Freud’s terminology, it employs primary not secondary process thinking. It employs archetypes which, as Jung warned us, are dangerous things.
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To have a choice at all is to be privileged.
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I can give back to the world all that I didn’t do. All that I might have been and couldn’t be. All the choices I didn’t make. All the things I lost and spent and wasted. I can give them back to the world.
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Reading is performance. The reader–the child under the blanket with a flashlight, the woman at the kitchen table, the man at the library desk–performs the work.
URSULA K. LE GUIN