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Life goes on, even if two-headed and glowing faintly in the dark.

Ursula K. Le Guin

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Dark Even Fainty Glow Goes Headed Life Two

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Marilyn Monroe Paulo Coelho Abraham Lincoln C. S. Lewis Khalil Gibran Charlie Chaplin Gautama Buddha Isaac Newton

The dance is always danced above the hollow place, above the terrible abyss.
URSULA K. LE GUIN

Above Abyss Always Dance Hollow Place Terrible
The road goes upward towards the light; but the laden traveler may never reach the end of it.
URSULA K. LE GUIN

End Goes Light never Reach Road Towards Traveler Upward
We live in capitalism, its power seems inescapable – but then, so did the divine right of kings.
URSULA K. LE GUIN

Capitalism Inescapable King Live Power Right Seem
The creative adult is the child who has survived.
URSULA K. LE GUIN

Child Creative Adult Survive
What is the other text, the original? I have no answer. I suppose it is the source, the deep sea where ideas swim, and one catches them in nets of words and swings them shining into the boat… where in this metaphor they die and get canned and eaten in sandwiches.
URSULA K. LE GUIN

Answer Canned Catch Eaten Metaphor Original Source Suppose Swing Word
The light is the left hand of darkness.
URSULA K. LE GUIN

Darkness Hanf Left Light
We read books to find out who we are. What other people, real or imaginary, do and think and feel… is an essential guide to our understanding of what we ourselves are and may become.
URSULA K. LE GUIN

Book Essential Feel Find Guide Imaginary Ourselves Out People Real Think Understanding
What is the use trying to describe the flowing of a river at any one moment, and then at the next moment, and then at the next, and the next, and the next? You wear out. You say: There is a great river, and it flows through this land, and we have named it History.
URSULA K. LE GUIN

Describe Flow Moment Next One River Try Use
I think hard times are coming when we will be wanting the voices of writers who can see alternatives to how we live now and can see through our fear-stricken society and its obsessive technologies to other ways of being, and even imagine some real grounds for hope.
URSULA K. LE GUIN

Alternative Come Fear Hard See Society Stricken Think Through Time Voice Want Will Writer
I believe that maturity is not an outgrowing, but a growing up: that an adult is not a dead child, but a child who survived.
URSULA K. LE GUIN

Adult Believe Child Dead Maturity Outgrowing Survive
All makers must leave room for the acts of the spirit. But they have to work hard and carefully, and wait patiently, to deserve them.
URSULA K. LE GUIN

All Carefully Deserve Leave Maker Patiently Spirit
Absolute freedom is absolute responsibility.
URSULA K. LE GUIN

Absolute Freedom Responsibility
Translation is entirely mysterious. Increasingly I have felt that the art of writing is itself translating, or more like translating than it is like anything else.
URSULA K. LE GUIN

Anything Art Else Entirely Fell Increasingly Itself Mysterious Translate Translation Writing
We are been taught to be ashamed of not being ‘outgoing’. But a writer’s job is ingoing.
URSULA K. LE GUIN

Ashamed Been Job Outgoing Taught Winter
Hate gets going, it goes round, it gets older and tighter and older and tighter, until it holds a person inside it like a fist holds a stick.
URSULA K. LE GUIN

First Get Goes Going Hate Hold Inside Lighter Older Round Stick Until
The worst walls are never the ones you find in your way. The worst walls are the ones you put there .
URSULA K. LE GUIN

Find never One Put Wall Way Wost

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