I am learning every day to allow the space between where I am and where I want to be to inspire me and not terrify me.
TRACEE ELLIS ROSSSomehow [Kenya Bariss] has figured out how to explore these very weighty, sticky, sharp topics, and still be funny and not make fun of the topic.
More Tracee Ellis Ross Quotes
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It was when I realized I needed to stop trying to be somebody else and be myself, that I actually started to own, accept and love what I had.
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I’m a farmer’s market girl, so if you go and get beautiful, fresh fruit, that’s local, and it hasn’t been frozen yet, it’s pretty fantastic.
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Here is my wish and my desire and my pledge as well: that we remember our true nature and our womanhood. That we own and know that we are more than our bodies and yet our bodies are these sacred, beautiful, rhythmic houses for us.
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One of the things I’ve realized is how portable God is. No really, He’s everywhere!
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My mom would leave her job, and there would be throngs of people screaming and banging on our car. I come from a very private family, but I was born into a public family.
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Just embrace your hair! I really feel like I am not an advocate for people doing what I do. I’m an advocate for people discovering and finding what works for them.
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Why am I beating my hair up? Because I want it to look like something that it isn’t? These are questions that I’ve been pondering my whole life.
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The two things that I thought were really interesting about this character [Bow] for me were that she actually loved her husband, and he loved her. The comedy was not coming from the fact that they hated each other. Which is what television couples are usually based on.
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I want to be awake. I want to choose kindness, live & let live. I want joy, gratitude, and peace today.
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This woman [Bow] was not simply a reflection of who her husband was. She was her own whole self. And even if we weren’t exploring life through her eyes, when we did see her it was clear that she had a full life.
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After college, I shot a pilot for a show on Lifetime, which was basically House of Style for a TV lover. I think I got paid $1,500, and I was like, “Mom, I’m moving out! I made it!” I did two seasons of that, but I felt like a talking head and wanted to do more.
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I think television is doing a better job than films in terms of representing people, but television is still not diverse.
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I think our culture promotes fear and shame.
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Somehow [Kenya Bariss] has figured out how to explore these very weighty, sticky, sharp topics, and still be funny and not make fun of the topic.
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If I’m going to show cleavage or chest then I don’t show leg. I show one thing. If I show leg then everything else is covered up.
TRACEE ELLIS ROSS