There’s a richness to the old works if you look before the 1950s. The chord progressions and the language was more complicated, especially in the jazz and classical world.
I am finding that vulnerability gives me great strength, because you’re not hiding anymore. It’s really about being a pioneer for myself, going into the places where I am not being taught. I have to teach myself.
Some of the biggest advocates for feminism seem to believe that in order to feel powerful you have to make another woman subservient, and that is not what feminism is about at all.
I think that the nightmares are telling me things about myself that I need to know. And I try to understand what they mean, so I can get to know something more about my soul.
If you can’t create physical life, you find a life force. If that’s in music, that’s in music. I started to find this deep, primitive rhythm, and I started to move to it. And I held hands with sorrow, and I danced with her, and we giggled a bit.
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