I was fascinated to think about a place where men could be the mothers and I thought of my own song-writing and I decided to have a relationship with their daughters.
TORI AMOSAnybody knows, you can conjure anything by the dark of the moon
More Tori Amos Quotes
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There are ways to stimulate being prolific, and part of that is making pilgrimages, and being open to listening, changing up the routine.
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I’m not like a poker player. I’m not into bluff. My way is to look someone in the eye and tell them the way I’m intending to go. My cards are always on the table.
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The romantic myth of the artist says that you are the Source. I have no illusion about that. Native Americans don’t believe they are the Source. They have access to the Source. Endless access. But don’t get confused.
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Musically, I always allow myself to jump off of cliffs. At least that’s what it feels like to me. Whether that’s what it actually sounds like might depend on what the listener brings to the songs.
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I wanted to do something creatively, having been a beached whale for many months and nursing my daughter.
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I want to be an integrated woman.
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My father was a preacher in Maryland and we had crab feasts – with corn on the cob, but no beer, being Methodist – outside on the church lawn.
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Anybody knows, you can conjure anything by the dark of the moon
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The fact that religion plays such a part in how people vote troubles me, troubles me as a minister’s daughter. Because I always felt that the separation of church and state was what our forefathers and foremothers really fought for.
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Where we focus our energy is where we will get the results.
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Take a different route to the coffee shop to see what you can see and hear. When we get in a routine, we can become zombie-like and shut down. It’s about discipline. You have to push yourself.
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The last thing I want to be known as is ‘The Girl Who Got Raped’. The big turn around you make in your head is from victim to survivor.
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Get off the cross, we need the wood.
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There’s a richness to the old works if you look before the 1950s. The chord progressions and the language was more complicated, especially in the jazz and classical world.
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Pretty is never beautiful.
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