Mostly I straddle reality and the imagination. My reality needs imagination like a bulb needs a socket. My imagination needs reality like a blind man needs a cane.
I’m always looking for sounds that are pleasing at the time. The sound of a helicopter is really annoying until you’re drowning, and it’s there to rescue you. Then it sounds like music.
Living with kids is like living with a bunch of drunks. You know you really have to be on your toes all the time. Things are falling over and breaking and spilling. If you live on the second story, you really have to keep the windows shut all the time.
I like vocal word stuff. But I don’t always write with an instrument, I usually write a capella. It’s more like drawing in the air with your fingers. It’s closest to the choreography of a bee. You’re freer.
It’s very hard to stop doing things you’re used to doing. You almost have to dismantle yourself and scatter it all around and then put a blindfold on and put it back together so that you avoid old habits.
We are buried beneath the weight of information, which is being confused with knowledge; quantity is being confused with abundance and wealth with happiness.
I always liked the idea that America is a big facade. We are all insects crawling across on the shiny hood of a Cadillac. We’re all looking at the wrapping. But we won’t tear the wrapping to see what lies beneath.
The blues is like a planet. It’s an enormous topic. You can’t ignore the impact that it has had and continues to have on the whole musical culture. It’s a tree that everyone is swinging from. Without it, I don’t know where I would be. It’s indelible and indispensable.
