“People think retiring is fun. Well, maybe, but if you have a certain kind of fire inside, there is no end in sight.”

The only happy artist is a dead artist, because only then you can’t change. After I die, I’ll probably come back as a paintbrush.

We do two things in life: We race the clock and everything is a struggle. One way or not, it’s a metaphorical battle all of the time.

Ya gotta do what ya gotta do.

Now if you know what you’re worth. Then go out and get what you’re worth.

I take rejection as someone blowing a bugle in my ear to wake me up and get going, rather than retreat.

I realized, the older I get, the more difficult life becomes. It’s not easier, it’s more difficult.

It would be great to be able to pass on to someone all of the successes, the failures, and the knowledge that one has had. To help someone, avoid all the fire, pain and anxiety would be wonderful.

Everybody has anger or regret in them one way or another. They all try different things to get it out. Some people go to psychiatrists. Some paint pictures. Some people talk it out.

I’m perceived to be this solitary character, but nothing could be further from the truth.

Movies are the work of a collective conscious. It takes 500-800 people on a movie to complete a vision.

I was an ambitious child and I tended to be scatterbrained. If I was at school and saw a bird outside the window I wanted to follow it. I was adventurous.

I thought I had reached a point in life where everything would be smooth. But it is not. It just gets more jagged and pitted and filled with turns that take you into the dark recesses of your mind. It never seems to get easy.

Some actors are brilliant character guys. They submerge.

Study people’s success stories hard. Study their failures even harder.

Remember the mind is your best muscle, BIG ARMS can move rocks, but BIG WORDS can move mountains. Ride the brain train for success.

At the very end, the one person who Rambo should kill, he doesn’t kill. He lets it live. Because you can’t kill that kind of hypocritical bureaucracy. It goes on forever.

I try not to think retrospectively. It’s important, as an artist, to look forward, always. I do try to take work that involves some challenge. If you approach a piece of work and you’re going, “Yeah, yeah, I can do that,” then that’s kind of a red flag.

I’m the kind of boy that can fall in love with any girl because I love with the heart, not the eyes.

I hope that I have given happiness to others. I hope I have given children to the world, and that I have made some kind of a mark for myself here.

You know, that’s kind of always been our philosophy: not letting the place that we are get in the way of making great music.

We must pray without tiring, for the salvation of mankind does not depend upon material success . . . but on Jesus alone.

Every society gets the kind of criminal it deserves.

We were a very crunchy, sort of hippie-dippy family.

I have the audience I deserve. Or at least I have the audience that represents the kind of people that I like.