The problem is, your ego sometimes tells you that you can do many things. But sometimes it’s best to stay focused and be honest with yourself.
SYLVESTER STALLONESuddenly I’ve got an overwhelming desire to surround myself with the aura of classical and Romantic art.
More Sylvester Stallone Quotes
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Movies are the work of a collective conscious. It takes 500-800 people on a movie to complete a vision.
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A lot of guys don’t want to admit that they have a propensity for generosity and for violence.
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I’m not handsome in the classical sense. The eyes droop, the mouth is crooked, the teeth aren’t straight, the voice sounds like a Mafioso pallbearer, but somehow it all works.
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Movies are a whole different ball-game, now. It’s much more of a business – very scientific.
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I think that’s become passe, but if you can surround yourself with a kind of monument to yourself and your family – a statement – and you can afford it, then that’s a noble project.
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Love is absolute loyalty. People fade, looks fade, but the loyalty never fades.
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There’s a natural law of karma that vindictive people, who go out of their way to hurt others, will end up broke and alone.
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To know that the odds are so high that only through the perishing of your life will the minions survive, that’s love. That’s heroism.
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When I tried to branch out into comedy, I didn’t do very well at it, so I went back to doing what I do naturally well, or what the audience expects from me – action pictures.
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Movies are a collective art. Art by proxy.
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I realized, the older I get, the more difficult life becomes. It’s not easier, it’s more difficult.
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If you’re gonna be a failure, at least be one at something you enjoy.
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No one will hit you harder than life itself. It doesn’t matter how hard you hit back. It’s about how much you can take, and keep fighting, how much you can suffer and keep moving forward. That’s how you win.
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I think there comes a time when you realize that you need God in your life, God’s Word, and the spiritual guidance that only He can give.
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I was very much into buying contemporary art, but I’ve just decided I want to get rid of it all. Not that it’s not great art, but all of a sudden my mood has changed, and I want to go back to seventeenth- and eighteenth-century masters.
SYLVESTER STALLONE