“TV helped me understand camera angles, close-ups, master shots.”

People assume that actors working in films won’t have the time to do theatre. But I make sure that whenever I’m free, I watch a play.

I read the script. If I like it, I would do anything I am asked to.

As an actor, you think you know your craft, you know the conflicts in your character, but often you don’t.

I never think about what people will think when they watch me on screen.

I am not bothered with whether my characters are conventional or not. Because I am not in this for the designer labels and the autographs.

I think people generally are lost, as they keep thinking about what is going to happen and what they have done. They are not alive anymore. The art of listening is missing. In their head, they are doing something else.

We should never forget the inevitable, as we will lose everything eventually. So, why fret over any kind of security? The idea is to just fly and experience it all while it lasts.

I am learning the importance of living in the moment.

Money was a big differentiator when I was growing up, but I made sure it doesn’t stay that way.

I am not saying that those who crave for conventional stardom are wrong in their aspirations. But that’s not what I want.

I am not lost. I am very much alive.

Nawazuddin Siddiqui is the best actor because his choice of roles are so diametrically opposite from each other, and he pulls it off almost every time so convincingly.

I experienced a lot of things while I was working with Dibakar Banerjee.

I love layering with great fitting jackets.

It’s cruel to compare two actors working with two different filmmakers on two different characters.

Everybody is in a hurry to decode you in a certain way, and then they expect you to adhere to their definition. How can they possibly do that when you yourself are finding it hard to discover yourself?