The painter constructs, the photographer discloses.
SUSAN SONTAGThe possession of a camera can inspire something akin to lust. And like all credible forms of lust, it cannot be satisfied.
More Susan Sontag Quotes
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Wherever people feel safe – they will be indifferent.
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Societies need to have one illness which becomes identified with evil, and attaches blame to its victims.
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The problems of this world are only truly solved in two ways: by extinction or duplication.
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A photograph is not only an image (as a painting is an image), an interpretation of the real; it is also a trace, something directly stenciled off the real, like a footprint or a death mask.
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Life is a movie; death is a photograph.
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I envy paranoids; they actually feel people are paying attention to them.
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Compassion is an unstable emotion. It needs to be translated into action, or it withers.
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The fear of becoming old is born of the recognition that one is not living now the life that one wishes.
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Sanity is a cozy lie.
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The camera makes everyone a tourist in other people’s reality, and eventually in one’s own.
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Love dies because its birth was an error.
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Self-respect. It would make me lovable. And it’s the secret to good sex.
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In place of a hermeneutics we need an erotics of art.
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All understanding begins with our not accepting the world as it appears.
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A good book is an education of the heart. It enlarges your sense of human possibility what human nature is of what happens in the world. It’s a creator of inwardness.
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Art is a form of consciousness.
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It is not the position, but the disposition.
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One doesn’t need to know the artist’s private intentions. The work tells all.
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Kindness, kindness, kindness. I want to make a New Year’s prayer, not a resolution. I’m praying for courage.
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Books are funny little portable pieces of thought.
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To take a photograph is to participate in another person’s mortality, vulnerability, mutability. Precisely by slicing out this moment and freezing it, all photographs testify to time’s relentless melt.
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10 percent of any population is cruel, no matter what, and 10 percent is merciful, no matter what, and the remaining 80 percent can be moved in either direction.
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If tragedy is an experience of hyperinvolvement, comedy is an experience of underinvolvement, of detachment.
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To paraphrase several sages: Nobody can think and hit someone at the same time.
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The possession of a camera can inspire something akin to lust. And like all credible forms of lust, it cannot be satisfied.
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whatever doesn’t kill you leaves scars.
SUSAN SONTAG