I’m not afraid of dying tomorrow, only of being killed.
STANLEY KUBRICKThe most terrifying fact about the universe is not that it is hostile but that it is indifferent, but if we can come to terms with this indifference, then our existence as a species can have genuine meaning. However vast the darkness, we must supply our own light.
More Stanley Kubrick Quotes
-
-
One man writes a novel. One man writes a symphony. It is essential that one man make a film.
STANLEY KUBRICK -
The screen is a magic medium.
STANLEY KUBRICK -
Don’t do anything. Just tolerate me and let me suffer, knowing how you feel.
STANLEY KUBRICK -
New York was the only really hostile city. Perhaps there is a certain element of the lumpen literati that is so dogmatically atheist and materialist and Earth-bound that it finds the grandeur of space and the myriad mysteries of cosmic intelligence anathema.
STANLEY KUBRICK -
I’ve got a peculiar weakness for criminals and artists. Neither takes life as it is. Any tragic story has to be in conflict with things as they are.
STANLEY KUBRICK -
The very meaninglessness of life forces man to create his own meaning.
STANLEY KUBRICK -
I love editing. I think I like it more than any other phase of film making. If I wanted to be frivolous, I might say that everything that precedes editing is merely a way of producing film to edit.
STANLEY KUBRICK -
It’s crazy how you can get yourself in a mess sometimes and not even be able to think about it with any sense and yet not be able to think about anything else.
STANLEY KUBRICK -
Anybody who runs is a VC. Anybody who stands still is a well-disciplined VC.
STANLEY KUBRICK -
The first really important book I read about filmmaking was The Film Technique by Pudovkin. This was some time before I had ever touched a movie camera and it opened my eyes to cutting and montage.
STANLEY KUBRICK -
I, uh, don’t think it’s quite fair to condemn a whole program because of a single slip-up, sir.
STANLEY KUBRICK -
You’re constantly changing man. But the film’s not changing. The film stays the same. That’s the beautiful aspect of it.
STANLEY KUBRICK -
How could we possibly appreciate the Mona Lisa if Leonardo had written at the bottom of the canvas: ‘The lady is smiling because she is hiding a secret from her lover.’ This would shackle the viewer to reality, and I don’t want this to happen to 2001.
STANLEY KUBRICK -
Critical opinion on my films has always been salvaged by what I would call subsequent critical opinion.
STANLEY KUBRICK -
There’s something in the human personality which resents things that are clear, and conversely, something which is attracted to puzzles, enigmas, and allegories.
STANLEY KUBRICK






