The group of writers I had grown up with in the ’60s – Derek Mahon, Michael Longley, James Simmons, John Hewitt, Paul Muldoon – formed a very necessary and self-sustaining group.
SEAMUS HEANEYI suppose you inevitably fall into habits of expression.
More Seamus Heaney Quotes
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The kinds of truth that art gives us many, many times are small truths. They don’t have the resonance of an encyclical from the Pope stating an eternal truth, but they partake of the quality of eternity. There is a sort of timeless delight in them.
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My language and my sensibility are yearning to admit a kind of religious or transcendent dimension. But then there’s the reality: there’s no Heaven, no afterlife of the sort we were promised, and no personal God.
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In a way, Anglo-Saxon poetry cannot be translated.
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I don’t think my intelligence is naturally analytic or political.
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We go to poetry, we go to literature in general, to be forwarded within ourselves.
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Memory has always been fundamental for me. In fact, remembering what I had forgotten is the way most of the poems get started.
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Dylan Thomas is now as much a case history as a chapter in the history of poetry.
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My point is there’s a hidden Scotland in anyone who speaks the Northern Ireland speech. It’s a terrific complicating factor, not just in Northern Ireland, but Ireland generally.
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Poems that come swiftly are usually the ones that you keep.
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The faking of feelings is a sin against the imagination.
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You can have Irish identity in the north and also have your Irish passport.
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The amount of sensory material stored up or stored down in the brain’s and the body’s systems is inestimable. It’s like a culture at the bottom of a jar, although it doesn’t grow, I think, or help anything else to grow unless you find a way to reach it and touch it.
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I’m a firm believer in learning by heart.
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Poetry is always slightly mysterious, and you wonder what is your relationship to it.
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I’m very conscious that people dear to me are alive in my imagination – poets in particular.
SEAMUS HEANEY