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I had developed this habit of writing scenarios as a hobby. I would find out which stories had been sold to be made into films and I would write my own treatment and then compare it.

Satyajit Ray

I had developed this habit of writing scenarios as a hobby. I would find out which stories had been sold to be made into films and I would write my own treatment and then compare it.
SATYAJIT RAY

Compare Development Habit Myself Story Treat Writing
You cannot go beyond a certain limit in your expenditure if you want to bring back money from your local market, which is very small after Pakistan.
SATYAJIT RAY

Beyond Limitation Marketing Money Yourself
Most of the top actors and actresses may be working in ten or twelve films at the same time, so they will give one director two hours and maybe shoot in Bombay in the morning and Madras in the evening. It happens.
SATYAJIT RAY

Actor Busy Director Movie Time Work
What is attempted in these film is of course a synthesis. But it can be seen by someone who has his feet in both cultures. Someone who will bring to bear on the films involvement and detachment in equal measure.
SATYAJIT RAY

Culture Equality Movie See
Well the Bombay film wasn’t always like how it is now. It did have a local industry. There were realistic films made on local scenes. But it gradually changed over the years.
SATYAJIT RAY

Change Industry Local Location Movie Reality Time
When I’m shooting on location, you get ideas on the spot – new angles. You make not major changes but important modifications, that you can’t do on a set. I do that because you have to be economical.
SATYAJIT RAY

Angle Change Economics Ideas Important Location Yourself
I mix Indian instruments with Western instruments all the time.
SATYAJIT RAY

Instrument Music Myself Time
The conception of background music is changing. You use less and less of it these days.
SATYAJIT RAY

Change Music Yourself
Ever since Two Daughters I’ve been composing my own music.
SATYAJIT RAY

Creation Daughter Music Myself
The director is the only person who knows what the film is about.
SATYAJIT RAY

Director Information Movie
Particularly in the final stages I always find that I’m rushed. It’s dangerous when you’re rushed in the editing stage, most of my early films are flawed in the cutting.
SATYAJIT RAY

Dangerous Flaw Hurry Mistake Movie Myself Rush
The only solutions that are ever worth anything are the solutions that people find themselves.
SATYAJIT RAY

People Philosphy Solution Worth
Sometimes a director is making three films. Perhaps he is shooting a film in Madras and a film in Bombay and he can’t leave Madras as some shooting has to be done, so he directs by telephone. The shooting takes place. On schedule.
SATYAJIT RAY

Dedication Determination Director Effort Movie Phone Shooting Time
For a film maker, an Oscar is like a Nobel Prize, you know. So I am very happy… delighted. There is nothing more after this. I cannot hope to get anything more prestigious.
SATYAJIT RAY

Happiness Hope Movie Myself Reward
It was only after Pather Panchali had some success at home that I decided to do a second part. But I didn’t want to do the same kind of film again, so I made a musical.
SATYAJIT RAY

Decision Home Kind Movie Music Myself Success
There’s always some room for improvisation.
SATYAJIT RAY

Improvement Improvise Room

I had developed this habit of writing scenarios as a hobby. I would find out which stories had been sold to be made into films and I would write my own treatment and then compare it.

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I had developed this habit of writing scenarios as a hobby. I would find out which stories had been sold to be made into films and I would write my own treatment and then compare it.

Related Topics

Popular Authors

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