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And I dont really want it to carry one. Im not interested in the subject matter to try to teach society anything, or to try to better our world in any way.

Roy Lichtenstein

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Anything Better Carry Interested Matter Really Society Subject Teach Want Way

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Yes, you know sometimes, we started out thinking out how strange our painting was next to normal painting, which was anything expressionist.
ROY LICHTENSTEIN

Anything Expressionist Next Normal Oddities Painting Sometimes Strange Think Thinking Year
I like to pretend that my art has nothing to do with me.
ROY LICHTENSTEIN

Architecture Art Do Nothing Pretend
I dont have big anxieties. I wish I did. Id be much more interesting.
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Anxiety Art Interest Interesting More Much
Color is crucial in painting, but it is very hard to talk about.
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I was at Rutgers University, and that was a center for Fluxus in a way. But it wasn’t what I was interested in.
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I think that most people think painters are kind of ridiculous, you know?
ROY LICHTENSTEIN

Kind Know Most Painter People Ridiculous Thinking
I suppose I would still prefer to sit under a tree with a picnic basket rather than under a gas pump, but signs and comic strips are interesting as subject matter.
ROY LICHTENSTEIN

Basket Gas Interest Interesting Picnic Pump Sign Strip Suppose Tree
Pop Art looks out into the world. It doesnt look like a painting of something, it looks like the thing itself.
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Art Itself Looks Paint Pop Something World
You have no idea where reality is, so to have an idea of what people think is pretty hard.
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Hard Idea People Pretty Reality Think
A number of artists have done things with Mickey Mouse – including Claes Oldenburg and Andy Warhol. He’s such an American symbol, and such an anti-art symbol.
ROY LICHTENSTEIN

Artist Cartoon Country Done Include Interest Mickey Mouse Number People Peron
My work sanitizes it (emotion) but it is also symbolic of commercial art sanitizing human feelings. I think it can be read that way….
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Art Character Commercial Emotion Feeling Human Mistake Sanitize Sanitizing Symbolic Work
People mistake the character of line for the character of art. But it’s really the position of line that’s important, or the position of anything, any contrast, not the character of it.
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Anything Character Contrast Important Line People Position
In America the biggest is the best.
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I’d always wanted to know the difference between a mark that was art and one that wasn’t.
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Painting stems from a sense of organisation, the sensed positions of contrasts. Not that it is about this.
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As long as the marks are related to one another, there is unity. Unity in the work itself depends on unity of the artist’s vision.
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