I think that most people think painters are kind of ridiculous, you know?
ROY LICHTENSTEINAnd I dont really want it to carry one. Im not interested in the subject matter to try to teach society anything, or to try to better our world in any way.
More Roy Lichtenstein Quotes
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I suppose I would still prefer to sit under a tree with a picnic basket rather than under a gas pump, but signs and comic strips are interesting as subject matter.
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I think the meaning of my work is that it is industrial, it’s what all the world will soon become. Europe will be the same way, soon, it won’t be American; it will be universal.
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But when I worked on a painting I would do it from a drawing but I would put certain things I was fairly sure I wanted in the painting, and then collage on the painting with printed dots or painted paper or something before I really committed it.
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Usually I begin things through a drawing, so a lot of things are worked out in the drawing. But even then, I still allow for and want to make changes.
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Outside is the world; it’s there. Pop Art looks out into the world.
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Everybody knows that abstract art can be art, and most people know that they may not like it, even if they understand there’s another purpose to it.
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Pop Art looks out into the world. It doesnt look like a painting of something, it looks like the thing itself.
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Art doesn’t transform. It just plain forms.
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All of it had an impact – as did happenings – because I could see that art was changing from expressionism, which I was doing at the time, or thought I was doing. But it wasn’t the direction I really wanted to go.
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I take a cliche and try to organize its forms to make it monumental. The difference is often not great, but it is crucial.
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There must be something about art… almost all cultures have done art. It’s a refining of the senses, which are there to keep us alive. As far as we know, no other animals do that.
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Painting stems from a sense of organisation, the sensed positions of contrasts. Not that it is about this.
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I don’t think that I’m over his influence but they probably don’t look like Picassos; Picasso himself would probably have thrown up looking at my pictures.
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There is almost nothing you can say that holds up as a generalization, because it depends on too many factors: size, modulation, the rest of the field, a certain consistency that color has with forms, and the statement you’re trying to make.
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In America the biggest is the best.
ROY LICHTENSTEIN