I take a cliche and try to organize its forms to make it monumental. The difference is often not great, but it is crucial.
ROY LICHTENSTEINPeople think one-point and two-point perspective is how the world actually looks, but of course, it isn’t. It’s a convention.
More Roy Lichtenstein Quotes
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You forget that this has been thirty five years now and people don’t look at it as if it were some kind of oddity.
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Color is crucial in painting, but it is very hard to talk about.
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Picasso’s always been such a huge influence that I thought when I started the cartoon paintings that I was getting away from Picasso, and even my cartoons of Picasso were done almost to rid myself of his influence.
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There is almost nothing you can say that holds up as a generalization, because it depends on too many factors: size, modulation, the rest of the field, a certain consistency that color has with forms, and the statement you’re trying to make.
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All of it had an impact – as did happenings – because I could see that art was changing from expressionism, which I was doing at the time, or thought I was doing. But it wasn’t the direction I really wanted to go.
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I kind of do the drawing with the painting in mind, but it’s very hard to guess at a size or a color and all the colors around it and what it will really look like.
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We like to think of industrialization as being despicable.
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I think its the tension between what seems to be so rigid and cliched and the fact that art really cant be this way.
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We’re not living in a school-of-Paris world, you know, and the things we really see in America are like this. It’s McDonald’s, it’s not Le Corbusier.
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My work isn’t about form. It’s about seeing. I’m excited about seeing things, and I’m interested in the way I think other people see things.
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You know, as you compose music, you’re just off in your own world.
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I suppose I would still prefer to sit under a tree with a picnic basket rather than under a gas pump, but signs and comic strips are interesting as subject matter.
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Painting stems from a sense of organisation, the sensed positions of contrasts. Not that it is about this.
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I think that most people think painters are kind of ridiculous, you know?
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When I met Steve Kaufman, I thought he was Gene Simmons, but what an artist talent he is. He will be an art force in the art world to deal with.
ROY LICHTENSTEIN