When I met Steve Kaufman, I thought he was Gene Simmons, but what an artist talent he is. He will be an art force in the art world to deal with.
ROY LICHTENSTEINI’d always wanted to know the difference between a mark that was art and one that wasn’t.
More Roy Lichtenstein Quotes
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I suppose I would still prefer to sit under a tree with a picnic basket rather than under a gas pump, but signs and comic strips are interesting as subject matter.
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People mistake the character of line for the character of art. But it’s really the position of line that’s important, or the position of anything, any contrast, not the character of it.
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There must be something about art… almost all cultures have done art. It’s a refining of the senses, which are there to keep us alive. As far as we know, no other animals do that.
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Art doesn’t transform. It just plain forms.
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Painting stems from a sense of organisation, the sensed positions of contrasts. Not that it is about this.
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Yes, you know sometimes, we started out thinking out how strange our painting was next to normal painting, which was anything expressionist.
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But when I worked on a painting I would do it from a drawing but I would put certain things I was fairly sure I wanted in the painting, and then collage on the painting with printed dots or painted paper or something before I really committed it.
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Pop Art looks out into the world. It doesnt look like a painting of something, it looks like the thing itself.
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There is a relationship between cartooning and people like Mir? and Picasso which may not be understood by the cartoonist, but it definitely is related even in the early Disney.
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As long as the marks are related to one another, there is unity. Unity in the work itself depends on unity of the artist’s vision.
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I was at Rutgers University, and that was a center for Fluxus in a way. But it wasn’t what I was interested in.
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I’d always wanted to know the difference between a mark that was art and one that wasn’t.
ROY LICHTENSTEIN -
All of it had an impact – as did happenings – because I could see that art was changing from expressionism, which I was doing at the time, or thought I was doing. But it wasn’t the direction I really wanted to go.
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You forget that this has been thirty five years now and people don’t look at it as if it were some kind of oddity.
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Im interested in what would normally be considered the worst aspects of commercial art.
ROY LICHTENSTEIN