The lover who does not forget sometimes dies from excess, fatigue, and the strain of memory (like Werther).
ROLAND BARTHESWhy is it better to last than to burn?
More Roland Barthes Quotes
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The text is a tissue of quotations drawn from the innumerable centres of culture.
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Isn’t the most sensitive point of this mourning the fact that I must lose a language – the amorous language? No more ‘I love you’s.
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I passed beyond the unreality of the thing represented, I entered crazily into the spectacle, into the image, taking into my arms what is dead, what is going to die.
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New York is a city of geometric heights, a petrified desert of grids and lattices, an inferno of greenish abstraction under a flat sky, a real Metropolis from which man is absent by his very accumulation.
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He who reads a story only once is condemned to read the same story his whole life.
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In an initial period, Photography, in order to surprise, photographs the notable; but soon, by a familiar reversal, it decrees notable whatever it photographs. The ‘anything whatever’ then becomes the sophisticated acme of value.
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Myth is neither a lie nor a confession: it is an inflexion.
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The realists do not take the photograph for a ‘copy’ of reality, but for an emanation of past reality, a magic, not an art.
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Every exploration is an appropriation.
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To make someone wait: the constant prerogative of all power.
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Don’t say mourning. It’s too psychoanalytic. I’m not mourning. I’m suffering.
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Who speaks is not who writes, and who writes is not who is.
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Man does not exist prior to language, either as a species or as an individual.
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It is no longer the sexual which is indecent, it is the sentimental.
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Someone tells me: this kind of love is not viable. But how can you evaluate viability? Why is the viable a Good Thing? Why is it better to last than to burn?
ROLAND BARTHES