To try to write love is to confront the muck of language: that region of hysteria where language is both too much and too little, excessive and impoverished.
ROLAND BARTHESWhy is it better to last than to burn?
More Roland Barthes Quotes
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I try to busy myself elsewhere, to arrive late; but I always lose at this game. Whatever I do, I find myself there, with nothing to do, punctual, even ahead of time.
ROLAND BARTHES -
Is not the most erotic part of the body wherever the clothing affords a glimpse?
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The author enters into his own death, writing begins.
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This endured absence is nothing more or less than forgetfulness. I am, intermittently, unfaithful. This is the condition of my survival.
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To know that one does not write for the other, to know that these things I am going to write will never cause me to be loved by the one I love (the other), to know that writing compensates for nothing, sublimates nothing, that it is precisely there where you are not–this is the beginning of writing.
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It must always be considered as though spoken by a character in a novel
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I love you is unsubtle. It removes explanations, facilities, degrees, scruples.
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Don’t say mourning. It’s too psychoanalytic. I’m not mourning. I’m suffering.
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The text you write must prove to me that it desires me. This proof exists: it is writing. Writing is: the science of the various blisses of language, its Kama Sutra (this science has but one treatise: writing itself).
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The photographic image is a message without a code.
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We can never know, for the good reason that writing is the destruction of every voice, every origin. Writing is that neuter, that composite, that obliquity into which our subject flees, the black-and-white where all identity is lost, beginning with the very identity of the body that writes.
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Today there is no symbolic compensation for old age, no recognition of a specific value: wisdom, perceptiveness, experience, vision.
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I have tried to be as eclectic as I possibly can with my professional life, and so far it’s been pretty fun.
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Wine is a part of society because it provides a basis not only for a morality but also for an environment; it is an ornament in the slightest ceremonials of French daily life, from the snack to the feast, from the conversation at the local cafT to the speech at a formal dinner.
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A picture is never anything but its own plural description.
ROLAND BARTHES