“New beginnings and new shoots Spring again from hidden roots Pull or stab or cut or burn, Love must ever yet return.”

Since the age of 15 poetry has been my ruling passion and I have never intentionally undertaken any task or formed any relationship that seemed inconsistent with poetic principles; which has sometimes won me the reputation of an eccentric.

Let all the poison that lurks in the mud, hatch out.

Every fairy child may keep Two strong ponies and ten sheep; All have houses, each his own, Built of brick or granite stone; They live on cherries, they run wild I’d love to be a Fairy’s child.

This seems to me a philosophical question, and therefore irrelevant, question. A poet’s destiny is to love.

For I now realize that what overcame me that evening was a sudden awareness of the power of intuition, the supra-logic that cuts out all routine processes of thought and leaps straight from problem to answer.

Truth-loving Persians do not dwell upon The trivial skirmish fought near Marathon.

One gets to the heart of the matter by a series of experiences in the same pattern, but in different colors.

Love is a universal migraine. A bright stain on the vision, Blotting out reason.

Never use the word ‘audience.’ The very idea of a public, unless the poet is writing for money, seems wrong to me. Poets don’t have an ‘audience’. They’re talking to a single person all the time.

I was last in Rome in AD 540 when it was full of Goths and their heavy horses. It has changed a great deal since then.

Marriage, like money, is still with us; and, like money, progressively devalued.

If I thought that any poem of mine could have been written by anyone else, either a contemporary or a forerunner, I should suppress it with a blush; and I should do the same if I ever found I were imitating myself. Every poem should be new, unexpected, inimitable, and incapable of being parodied.

Poetry is no more a narcotic than a stimulant; it is a universal bittersweet mixture for all possible household emergencies and its action varies accordingly as it is taken in a wineglass or a tablespoon, inhaled, gargled or rubbed on the chest by hard fingers covered with rings.

When I’m killed, don’t think of me Buried there in Cambrin Wood, Nor as in Zion think of me With the Intolerable Good. And there’s one thing that I know well, I’m damned if I’ll be damned to Hell!

But give thanks, at least, that you still have Frost’s poems; and when you feel the need of solitude, retreat to the companionship of moon, water, hills and trees. Retreat, he reminds us, should not be confused with escape. And take these poems along for good luck!

When a dream is born in you With a sudden clamorous pain, When you know the dream is true And lovely, with no flaw nor stain, O then, be careful, or with sudden clutch You’ll hurt the delicate thing you prize so much.

Everyone returns us to a different sense of ourselves, for we become a little of who they think we are.

I’d like to think our love does return to us reincarnated in different human forms. That people might be temporary, but love is permanent and it just changes form.

Tell them all what they tried to kill came back. Tell them all that I have come home.

When we look at a photograph of ourselves or of others, we are really looking at the return of the dead.

I think that Americans should gradually begin to adopt positive behavior rather than doing evil.

Nightly you retrace your steps again to return to the scene of the crime. It’s uncanny how you hover in the air of the wreckage that you left behind.

The trilogy of “Before Sunrise”, “Before Sunset” and last-year’s “Before Midnight” returns periodically to.

I’m always making a comeback but nobody ever tells me where I’ve been.