Apparently Sodapop Curtis said “gnarly,” and Chris Traeger said “literally.” Every decade I have a favorite phrase I can’t stop with.
ROB LOWEAnyone who’s lived their life to the fullest extent has a scandal buried somewhere.
More Rob Lowe Quotes
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I’m not going to stop talking to people who come up to me in an airport. I’m not going to worry about what may be their ulterior motive.
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There’s this unbelievable bias and prejudice against quote-unquote good-looking people, that they can’t be in pain or they can’t have rough lives or be deep or interesting.
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Did you eat a lot of paint chips when you were a kid?
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It’s always a good day when I get to work with Jim Belushi, who I adore.
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It was a role [Dean Sanderson] I hadn’t seen before, and yet it was very accessible and relatable at the same time. I read scripts that have one or the other, but I rarely read scripts that have both. And it was laugh-out-loud funny.
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What people do in their private lives is their business, and shouldn’t be anybody else’s business.
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Helmut Newton shot the ad campaign [for Bad Influence]. It’s [James] Spader at the top of his game, right after Sex, Lies And Videotape. It’s sexy. It’s weird. It’s dark. The characters are great.
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I don’t look back with any bitterness, though there are a couple of judgment calls and some ’80s hairdos that I’d like to do over.
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I’ll be a role model on my terms, but don’t make a role model on your terms.
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There is good and evil in each of us, and you can easily be led to the dark side.
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Chris [Farley] – I would consider him a comic animal. With the emphasis on “animal.”
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Contrary to popular belief, I don’t go out very much. When I do go out, a lot of times it’ll be to something like a heavyweight fight, and I’ll be photographed, so that people have this conception that I go out a lot.
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I was sick of playing high-school kids. I liked being a teenager, but I would not go back for all the tea in China.
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Directors are not worried about casting beautiful women, but they are not sure that they want to cast great-looking men. My looks have prevented people from seeing my work objectively.
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Some of the ’80s movies I did are sort of museum pieces. St. Elmo’s Fire is great as a sort of kitschy, “Oh, my god, I can’t believe we wore that” type of movie.
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