I remember that I’m invisible and walk softly so as not awake the sleeping ones. Sometimes it is best not to awaken them; there are few things in the world as dangerous as sleepwalkers.
RALPH ELLISONPower, for the writer….lies in his ability to reveal if only a little bit more about the complexity of humanity.
More Ralph Ellison Quotes
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When American life is most American it is apt to be most theatrical.
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In order to travel far you have to be detached.
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The thing to do is to exploit the meaning of the life you have.
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Light confirms my reality, gives birth to my form…without light I am not only invisible but formless as well; and to be unaware of one’s form is to live a death…the truth is the light and light is the truth.
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I blundered into writing.
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To hell with being ashamed of what you liked.
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And I knew that it was better to live out one’s absurdity than to die for that of others.
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I am one of the most irresponsible beings that ever lived. Irresponsibility is part of my invisibility; any way you face it, it is a denial. But to whom can I be responsible, and why should I be, when you refuse to see me?
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That … is how the world moves: Not like an arrow, but a boomerang.
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That which we remember is, more often than not, that which we would like to have been; or that which we hope to be. Thus our memory and our identity are ever at odds; our history ever a tale told by inattentive idealists.
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What and how much had I lost by trying to do only what was expected of me instead of what I myself had wished to do?
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Everywhere I’ve turned somebody has wanted to sacrifice me for my own good—only /they/ were the ones who benefited. And now we start on the old sacrificial merry-go-round. At what point do we stop?
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Without the possibility of action, all knowledge comes to one labeled ‘file and forget.’
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We don’t all dig Shakespeare uniformly, or even ‘Little Red Riding Hood.’ The understanding of art depends finally upon one’s willingness to extend one’s humanity and one’s knowledge of human life.
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There are few things in the world as dangerous as sleepwalkers.
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Good fiction is made of that which is real, and reality is difficult to come by.
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And while the ice was melting to form a flood in which I threatened to drown I awoke one afternoon to find that my first northern winter had set.
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I’m not a separatist. The imagination is integrative. That’s how you make the new — by putting something else with what you’ve got. And I’m unashamedly an American integrationist.
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Education is all a matter of building bridges.
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Eclecticism is the word. Like a jazz musician who creates his own style out of the styles around him, I play by ear.
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If only all the contradictory voices shouting in my head would calm down and sing a song in unison, whatever it was I wouldn’t care as long as they sang without dissonance.
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I was never more hated than when I tried to be honest. Or when, even as just now I’ve tried to articulate exactly what I felt to be the truth. No one was satisfied
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the world is just as concrete, ornery, vile, and sublimely wonderful as before, only now I better understand my relation to it and it to me.
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All novels are about certain minorities: the individual is a minority. The universal in the novel-and isn’t that what we’re all clamoring for these days?-is reached only through the depiction of the specific man in a specific circumstance.
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Some people are your relatives but others are your ancestors, and you choose the ones you want to have as ancestors. You create yourself out of those values.
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You start Saul, and end up Paul,’ my grandfather had often said. ‘When you’re a youngun, you Saul, but let life whup your head a bit and you starts to trying to be Paul – though you still Sauls around on the side.
RALPH ELLISON