“There are few things in the world as dangerous as sleepwalkers.”

I feel the need to reaffirm all of it, the whole unhappy territory and all the things loved and unloveable in it, for it is all part of me.

If social protest is antithetical to art, what then shall we make of Goya, Dickens, and Twain?

I am not ashamed of my grandparents for having been slaves. I am only ashamed of myself for having at one time being ashamed.

All novels are about certain minorities: the individual is a minority.

The act of writing requires a constant plunging back into the shadow of the past where time hovers ghostlike.

Meaning grows in the mind, but the shape and form of the act remains.

I was looking for myself and asking everyone except myself questions which I, and only I, could answer.

I blundered into writing.

That which we remember is, more often than not, that which we would like to have been; or that which we hope to be. Thus our memory and our identity are ever at odds; our history ever a tale told by inattentive idealists.

If only all the contradictory voices shouting in my head would calm down and sing a song in unison, whatever it was I wouldn’t care as long as they sang without dissonance.

The blues is an art of ambiguity, an assertion of the irrepressibly human over all circumstances, whether created by others or by one’s own human failing.

What and how much had I lost by trying to do only what was expected of me instead of what I myself had wished to do?

That … is how the world moves: Not like an arrow, but a boomerang.

I am invisible, understand, simply because people refuse to see me.

In order to travel far you have to be detached.

the world is just as concrete, ornery, vile, and sublimely wonderful as before, only now I better understand my relation to it and it to me.