We don’t all dig Shakespeare uniformly, or even ‘Little Red Riding Hood.’ The understanding of art depends finally upon one’s willingness to extend one’s humanity and one’s knowledge of human life.
RALPH ELLISONthe world is just as concrete, ornery, vile, and sublimely wonderful as before, only now I better understand my relation to it and it to me.
More Ralph Ellison Quotes
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I suspect that all the agony that goes into writing is borne precisely because the writer longs for acceptance-but it must be acceptance on his own terms.
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I denounce because though implicated and partially responsible, I have been hurt to the point of abysmal pain, hurt to the point of invisibility. And I defend because in spite of it all, I find that I love.
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That … is how the world moves: Not like an arrow, but a boomerang.
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Eclecticism is the word. Like a jazz musician who creates his own style out of the styles around him, I play by ear.
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And while the ice was melting to form a flood in which I threatened to drown I awoke one afternoon to find that my first northern winter had set.
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Power doesn’t have to show off. Power is confident, self-assuring, self-starting and self-stopping, self-warming and self-justifying. When you have it, you know it.
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Man’s hope can paint a purple picture, can transform a soaring vulture into a noble eagle or moaning dove.
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Having tried to give pattern to the chaos which lives within the pattern of your certainties, I must come out, I must emerge.
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There are few things in the world as dangerous as sleepwalkers.
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If only all the contradictory voices shouting in my head would calm down and sing a song in unison, whatever it was I wouldn’t care as long as they sang without dissonance.
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Education is all a matter of building bridges.
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To hell with being ashamed of what you liked.
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I remember that I’m invisible and walk softly so as not awake the sleeping ones. Sometimes it is best not to awaken them; there are few things in the world as dangerous as sleepwalkers.
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The act of writing requires a constant plunging back into the shadow of the past where time hovers ghostlike.
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Everywhere I’ve turned somebody has wanted to sacrifice me for my own good—only /they/ were the ones who benefited. And now we start on the old sacrificial merry-go-round. At what point do we stop?
RALPH ELLISON