That which we remember is, more often than not, that which we would like to have been; or that which we hope to be. Thus our memory and our identity are ever at odds; our history ever a tale told by inattentive idealists.
All novels are about certain minorities: the individual is a minority. The universal in the novel-and isn’t that what we’re all clamoring for these days?-is reached only through the depiction of the specific man in a specific circumstance.
We don’t all dig Shakespeare uniformly, or even ‘Little Red Riding Hood.’ The understanding of art depends finally upon one’s willingness to extend one’s humanity and one’s knowledge of human life.
Some people are your relatives but others are your ancestors, and you choose the ones you want to have as ancestors. You create yourself out of those values.
I denounce because though implicated and partially responsible, I have been hurt to the point of abysmal pain, hurt to the point of invisibility. And I defend because in spite of it all, I find that I love.
I am an invisible man. I am a man of substance, of flesh and bone, fiber and liquids – and I might even be said to possess a mind. I am invisible, understand, simply because people refuse to see me.
You start Saul, and end up Paul,’ my grandfather had often said. ‘When you’re a youngun, you Saul, but let life whup your head a bit and you starts to trying to be Paul – though you still Sauls around on the side.
I am one of the most irresponsible beings that ever lived. Irresponsibility is part of my invisibility; any way you face it, it is a denial. But to whom can I be responsible, and why should I be, when you refuse to see me?
