Ridley Scott’s company makes great work in whatever arena, whether it’s movies or commercials or television. They just do really quality stuff, so you know it’s going to be quality.
Of the many horrors of divorce, the most egregious is that it robs a kid of the best of both worlds. Dads can do many things that even the best moms can’t, and vice versa.
Actually, if I had to do it over [leaving the show the West Wing], I’d do the same thing, because lost in the shuffle of it is that Aaron [Sorkin] left the same year I did. And I would not have wanted to be on The West Wing with somebody else writing it.
There’s this unbelievable bias and prejudice against quote-unquote good-looking people, that they can’t be in pain or they can’t have rough lives or be deep or interesting.
I think [The Outsiders] really forged who I am as an actor, and it’s one of the reasons why I keep being drawn to big ensembles where I’m surrounded by strong, successful actors or personalities. Because that was my initial foray into movie making.
The script was given to me by one of my agents and they didn’t tell me anything about it. My first reaction was, “The West Wing? Is it about a squadron of fighter jets?” Then I turned the page and saw, ‘by Aaron Sorkin’ and I knew it was going to be something good.
I have been looking forward to this age of my life for a long time. In my twenties, I marked the days on the calendar – I was sick of playing high-school kids.
Directors are not worried about casting beautiful women, but they are not sure that they want to cast great-looking men. My looks have prevented people from seeing my work objectively.
Contrary to popular belief, I don’t go out very much. When I do go out, a lot of times it’ll be to something like a heavyweight fight, and I’ll be photographed, so that people have this conception that I go out a lot.
I literally knew nothing when I did that show [“Tony Flanagan”]. It was the first time I signed an autograph, it was the first time I got fan letters, it was the first time people screamed when I came out.
In school, I had two or three best guy friends, but mostly if I was just hanging, I’d like to talk to the girls, because they were more interesting. I think they were smarter.
It was a role [Dean Sanderson] I hadn’t seen before, and yet it was very accessible and relatable at the same time. I read scripts that have one or the other, but I rarely read scripts that have both. And it was laugh-out-loud funny.
When I had my Comedy Central roast, David [Spade] was my first choice to be roastmaster, because I adore him. He’s funny as hell, and nobody is meaner.
Helmut Newton shot the ad campaign [for Bad Influence]. It’s [James] Spader at the top of his game, right after Sex, Lies And Videotape. It’s sexy. It’s weird. It’s dark. The characters are great.