A woman can be very beautiful and an ideal model and she will photograph incredibly well, but she’ll appear in film and it won’t work. What works is some fusion of physical beauty with some mental field or whatever you call it. I don’t know.
[Nixon] reduced the meaning of his life to nothing but power. In the film, we gave this sad figure consciousness of what he was. We weren’t right to do that – I don’t think he did have that consciousness. But we did it for movie reasons – to create empathy.
I knew that one day I would come to this point that I would make something so outrageous and so ambitious that… it’d be that Don Quixote feeling, that I’d have to tilt at a windmill. Sometimes you’ve got to do it. That’s the only way you can do things.
There is nothing inherently wrong with greed as a human motivator – greed motivating evolution. But there’s a huge disconnect between the classes. It is very demoralizing to work for someone who makes a billion dollars a year while you make just barely enough to make it.
Fear may very well be a caveman fear of the predator, of the giant lizard chasing them – maybe that’s what Steven Spielberg connects with so well in Lost World.
I went to Vietnam, and I was there for a long time. [Using marijuana] made the difference between staying human or, as Michael Douglas said, becoming a beast.
You can never judge how the film will be taken; you can only make your best effort, and put out what you feel. How it’s read, you never can tell. Or remembered for that matter.