Sometimes when I look back on myself on those earlier records, there was so much effort going in, so much trying. With this, I was trying to make it much more laid back.
[“A Deal with God”] was the first single off Hounds of Love. I’d put a lot of work into putting that album together and I wanted it to have every chance.
You hope that the ideas will come together. You just don’t know. That’s part of what I suppose is part of being brave and putting creative work out there.
We have a female prime minister [Theresa May] here in the UK. I actually really like her and think she’s wonderful. I think it’s the best thing that’s happened to us in a long time.
Artists shouldn’t be made famous. They have this huge aura of almost god-like quality about them, just because their craft makes a lot of money. And at the same time it is a forced importance… It is man-made so the press can feed off it.
You’re never really happy. I’m certainly not. That’s a good thing. It means you’re always striving to do better. You hope the next piece will be better.
Irish folk is probably the biggest influence musically that I’ve ever had. My mother’s Irish. And when I was very young, both my brothers were very into traditional music, English and Irish. They were always playing music, so I was always brought up with it.
I don’t think a lot of people listen to their old stuff, do they? I spent a long time making it, so I don’t really want to spend much time listening to it again.
It’s not that I don’t like American pop; I’m a huge admirer of it, but I think my roots came from a very English and Irish base. Is it all sort of totally non-American sounding.
When you’d buy vinyl, you’d have this lovely-sized object with a lovely picture, and you’d read the lyrics and usually there was something artistic that went with it.