In this world,” Franny once observed, “just as you’re trying to think of yourself as memorable, there is always someone who forgets that that they have met you.
As it was, things went from bad to worse, as they often will when amateurs are involved in an activity that they perform in bad temper – or in a hurry.
Death, it seems,” Garp wrote, “does not like to wait until we are prepared for it. Death is indulgent and enjoys, when it can, a flair for the dramatic.
When I finally write the first sentence, I want to know everything that happens, so that I am not inventing the story as I write it – rather, I am remembering a story that has already happened.
People are either attracted to the unseemly or disapproving of it, or both; yet we try to sound superior to the unseemly by pretending to be amused by it or indifferent to it.
I don’t begin a novel until I have written, not just the last sentence, but usually, as a result thereof, many of the surrounding final paragraphs, so that in addition to knowing what happens, I know what the voice is.
He had in abundance youth’s most dangerous qualities: optimism and relentlessness. He would risk everything he had to fly the plane that could carry the bomb within him.