In America there’s lot of cool cities, but in Canada there’s, like, well, Vancouver, Toronto and Halifax may be cool, but they’re so expensive. Montreal is the only city that’s affordable but also has buses and culture.
Obviously, I like things that are cute and aggressive at the same time, but I didn’t want it to just be mini-bangs and lip-syncing in a dress. I need to get away from that stuff.
If painters could be compared to filmmakers, Bosch is the Hype Williams of renaissance painters. With Bosch, there’s always a narrative that is very nonlinear – and that’s the essence of a good music video.
I think a lot of music that’s really innovative is not even considered because it was made by people who had a sexual image. And people assume that it’s a commodified thing, so it can’t be “indie.”
My manager lives on my block; four of the apartments in my apartment complex of seven are people I know. It’s a really close-knit community, and almost everyone on these few blocks are artists or graphic designers, because we live right on the cusp of a warehouse district.
If I think about what other people are thinking when I’m making music, I just can’t do it. It’s too withheld – I need to go totally over the top, and then kind of clean it up a bit and make it more reasonable after the fact.
Lately I’ve been really into screaming a lot through delay [effects], having seven people on stage topless going crazy, stuff like that. Really in your face, but maybe more organic than choreographed dance moves.
I find it really hard to throw myself into something artistically where I’m making up a whole character and finding something for that character to do.
It’s important for people not to feel like doing things that are immature, stuff you have to try out when you’re a teenager, is bad, per se. Demonizing it is one of the reasons it becomes such an issue.