…through this photographic eye you will be able to look out on a new light-world, a world for the most part uncharted and unexplored, a world that lies waiting to be discovered and revealed.
I was extravagant in the matter of cameras – anything photographic – I had to have the best. But that was to further my work. In most things I have gone along with the plainest – or without.
When money enters in – then, for a price, I become a liar – and a good one I can be whether with pencil or subtle lighting or viewpoint. I hate it all, but so do I support not only my family, but my own work.
I always work better when I do not reason, when no question of right or wrong enter in,-when my pulse quickens to the form before me without hesitation nor calculation.
The painters have no copyright on modern art!… I believe in, and make no apologies for, photography: it is the most important graphic medium of our day. It does not have to be, indeed cannot be – compared to painting – it has different means and aims.
“Only with effort can the camera be forced to lie: basically it is an honest medium: so the photographer is much more likely to approach nature in a spirit of inquiry, of communion, instead of with the saucy swagger of self-dubbed “artists”.”
There is nothing like a Bach fugue to remove me from a discordant moment… only Bach hold up fresh and strong after repeated playing. I can always return to Bach when the other records weary me.