I want to support young girls who are in their 20s now and tell them: You’re not just imagining things. It’s tough. Everything that a guy says once, you have to say five times.
I’m not going to talk like I know about politics, because I’m a total amateur, but maybe I can be a spokesperson for people who aren’t normally interested in politics.
I’m a fountain of blood in the shape of a girl . . . leave me now return tonight tide will show you the way if you forget my name you will go astray like a killer whale trapped in a bay
People ask me questions like, “Oh, you look so theatrical in your photographs. Is that what you’re like when you walk down the street?” It’s like, “Of course not.” It’s such a silly question – it’s like being theatrical is a crime.
I try not to record them on my Dictaphone when I first hear them. If I forget all about it and it pops up later on, then I know it’s good enough. I let my subconscious do the editing for me.
We’re always mourning things that have died. It’s a bit much sometimes. These studios have no fresh air, and there’s this unwritten rule that they don’t have windows, either.
You want people to take risks, and OK, they fail, but you don’t get the great stuff unless people are willing to risk and not play it safe. And maybe the Icelandic characteristic is better harnessed in these places than on the stock market.
