The quietest are often working-class people, people who are broke. There is a fear of losing whatever it is that you have. I come from that background.
Set lists are tough because you come up with this structure of how the songs are going to go from one to the next, but at the same time, you have to be spontaneous and take requests and change the set list at the drop of a hat.
The main thing about the character [in the Ordinary World] is that he loves music, and he shares it with his daughter. He’s having a mid-life moment, and it’s a small moment, really.
I threw a big-ass party. It turned out a bit different from Perry’s [in That’s Ordinary World], but it was pretty nuts. It wasn’t me that threw it though, my wife threw me a surprise party. So [unlike Selma Blair’s character] she didn’t forget.
Minority is about being an individual. It’s like you have to sift through the darkness to find your place and be that individual you want to be your entire life.
I think that’s the big difference between this one [Ordinary World] and a lot of the other rock ‘n’ roll movies. They’re playing to tape, but Fred Armisen and I were actually in a rock ‘n’ roll bad together.
The things that people do now in sports, you can’t even believe. These are complete total athletes. To see what human beings can do in the highest level is amazing.
The fact that I was taking naps in churches, in between takes of the [Ordinary World], and there was that guerilla style of filmmaking, I felt more at home with that.