Babatunde Adebimpe Quotes

Being 15 and like a punk in the DIY community, basically being with a group of people like no one else, it was the first place to exclude or call out if people were racist, sexist, homophobic or in any way prejudiced.

The feeling of being halfway through a show and just realizing that there’s nothing you can do to save it – it’s a horrible feeling.

Most of the bands that I really hold in my heart – you don’t think about them as bands; they’re just the soundtrack of your life.

I probably couldn’t have the same experience listening to that song because I’m self-conscious about some of my singing parts.

Regarding race or gender or sexuality, one of the great things about art and music is that they can provide people with very little else in common with a similar entry point for discussion, but the discussions still need to happen for life to get more interesting.

Hearing that [David] Bowie passed was like you don’t really believe it. It’s as if the sky shifted a little bit, to remind you it was there.

If anybody won life, David Bowie did, at least as a creative entity in the sense of writing yourself into existence and writing yourself out in such a graceful swoop.

Most of the bands that I really like no longer exist. That might just be because I’m in my thirties or whatever. But I also think it’s the rare band that doesn’t, like, turn into something else.

It’s insane when someone shows up to your show and is like, “You could run off with me right now!” I’m like, “It’s cool, I think I’m gonna go read.”

Adding instruments to parts of a song and having them somehow find a pocket. That to me was a huge lesson. Like, there’s more than 808s in the universe.