It is a matter of some interest, that the only other volume A Mouth Sweeter Than Salt reminds one of is Ake, by Wole Soyinka. What is it about these Yorubas?
Once in a while I catch myself wondering whether I would have found the courage to write if I had not started to write when I was too young to know what was good for me.
Love is fine for singing about and love songs are good to listen to, sometimes even to dance to. But when we need food for our stomachs and clothes for our backs, love is nothing. Ah my lady, the last man any woman should think of marrying is the man she loves.
After all, if we look closer into ourselves, shall we not admit that the warmth from other people comes so sweet to us when it comes, because, we always carry with us the knowledge of the cold loneliness of death?
Toyin Falola has given us what is truly rare in modern African writing: a seriously funny, racy, irreverent package of memories, and full of the most wonderful pieces of poetry and ordinary information.
Time by itself means nothing, no matter how fast it moves, unless we give it something to carry for us; something we value. Because it is such a precious vehicle, is time.
Soyinka’s Death at Dawn, Auden’s Musée des Beaux Arts, Stevie Smith’s Not Waving but Drowning and Wislawa Szymborska’s Some People come to mind immediately. But there are plenty, plenty more that I enjoy.