I was watching Monster’s Ball, which is a fabulous movie. It’s just a little gem: beautifully shot, and shot in a way I never would have done. ADRIAN GOSTICK BallBeautifullyFabulousGemMonsterShotWatching
I’ve always been interested in films where you can identify with the actors. ADRIAN GOSTICK IdentifyInterestedShoe
Their every instinct – and I have to say this is without exception – is to iron out the bumps, and It’s always the bumps that are the most interesting stuff. ADRIAN GOSTICK BumpSayStuffWithout
Foxes was a movie that didn’t do a lot of business but it didn’t do too badly critically and eventually they offered me other things. ADRIAN GOSTICK BadlyCriticallyFoxLotOfferedStarThing
I think that there are points where you become so close to an actor, ADRIAN GOSTICK BackFoolGetMakePreparedUsually
The interesting thing was that next I tried a film called Star Man, which Michael Douglas was producing. ADRIAN GOSTICK CalledNextProducingStarThingTried
Somebody said that I’m a bit like a sponge, grabbing things here and there, soaking stuff up. [As a director] you have to be, really. ADRIAN GOSTICK BitDirectorGrabblingLikeSoakingSomebodySpongeStuffThing
If you are prepared to make a fool of yourself for them then you usually get that back. ADRIAN GOSTICK BackFoolMakePreparedUsually