If you started in New York you were dealing with the biggest guys in the world. You’re dealing with Charlie Parker and all the big bands and everything. We got more experience working in Seattle.
We stole a box of honey jars one time and went out in the woods and took care of the whole box. I don’t think I touched honey again for 20 years. I never wanted to see honey again.
The relationship with a producer and an artist is really special. It’s got to be love and respect, amazing mutual respect for each other, because that’s what makes a good record.
When I was about five or seven years old my mother was placed in a mental institution and so we were with our father who worked very hard, and we had to figure a lot of things out.
