My dream is to put together a performance of the evolution of black music with Cirque du Soleil . I would also like to do street opera and children’s books. But even as I work toward these things, I want to simplify my life.
I chose the trombone because the trombone players in the marching band got to be up front with the majorettes (because of the slides) and I loved that!
A lot of the guys were like that – Oscar Pettiford – they just took me under their wing, and that’s why I automatically help young people. I just love it, because they did that for me.
It’s easy to get next to music theory, especially between your peers and music classes and so forth. You just pay attention. I had a good ear, so I realized that printed music was just about reminding you what to play.
The relationship with a producer and an artist is really special. It’s got to be love and respect, amazing mutual respect for each other, because that’s what makes a good record.
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