You don’t have to know how to make a movie. If you truly love cinema with all your heart and with enough passion, you can’t help but make a good movie.
QUENTIN TARANTINOViolence in real life is terrible; violence in movies can be cool. It’s just another colour to work with.
More Quentin Tarantino Quotes
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Movies are not about the weekend that they’re released, and in the grand scheme of things, that’s probably the most unimportant time of a film’s life.
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I actually think one of my strengths is my storytelling.
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Don’t write what you think people want to read. Find your voice and write about what’s in your heart.
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I’ve always thought my soundtracks do pretty good, because they’re basically professional equivalents of a mix tape I’d make for you at home.
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If there is something magic about the collaborations I have with actors it’s because I put the character first.
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If you love cinema as much as I do, and not many people do, and if you are focused and actually have something to offer, you will get somewhere with it.
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You name any horrific thing, and I can make a joke out of it.
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The children despise their parents until the age of when they suddenly become just like them – thus preserving the system.
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My parents said, Oh, he’s going to be a director someday. I wanted to be an actor.
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Violence is one of the most fun things to watch.
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I don’t have to play the song all the way to the very end – I use it while it’s good and while it’s cool and while it’s exciting, and then I get out.
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Violence in real life is terrible; violence in movies can be cool. It’s just another colour to work with.
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I’m basically like, you know, learned pretty quickly the guy who throws the first punch usually wins, so when people gave me a hard time I just punched them.
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As a writer, I demand the right to write any character in the world that I want to write. I demand the right to be them, I demand the right to think them and I demand the right to tell the truth as I see they are.
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Particularly as a writer, it is my job to ignore social critics, or the response that social critics might have when it comes to the opinions of my characters, the way they talk, or anything that can happen to them.
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