The course of a lifetime runs/over and over again.
PAUL SIMONI’ve got a reason to believe we all be received in Graceland, Graceland, Memphis Tennessee.
More Paul Simon Quotes
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We had many more points of agreement than we had points of difference, but we did differ, and the bigger we got, the more insistent we got that each one of us should have his way.
PAUL SIMON -
My whole artistic life has always been about change, change, change, move on, move on. It’s the only thing I find interesting.
PAUL SIMON -
If you can get humor and seriousness at the same time, you’ve created a special little thing, and that’s what I’m looking for, because if you get pompous, you lose everything.
PAUL SIMON -
Artie is a singer, and I’m a writer and player and a singer. We didn’t work together on a creative level and prepare the songs. I did that.
PAUL SIMON -
Having a track record to live up to and the history of successes had become a hindrance. It becomes harder to break out of what people expect you to do.
PAUL SIMON -
When I look back at all the crap I learned in high school, it’s a wonder I can think at all.
PAUL SIMON -
And so you see I have come to doubt -All that I once held as true ~ I stand alone without beliefs -The only truth I know is you
PAUL SIMON -
Anthony Heilbut has been a guide and a mentor to me. I know of no one who has the love and depth of knowledge of this extraordinary author.
PAUL SIMON -
People often called us perfectionists, but we were not looking for perfection. We were looking for some kind of magic in the music.
PAUL SIMON -
Cecilia was made in a living room on a Sony. It was like a little piece of magical fluff, bur it works. El Condor Pasa a Los Incas record that I love. Bridge is a very strong melodic song.
PAUL SIMON -
Believing I had supernatural powers, I slammed into a brick wall.
PAUL SIMON -
Then she kissed me and I realized she probably was right, there must be fifty ways to leave your lover.
PAUL SIMON -
I feel I should try to reveal. When you hit it right, you produce an emotional response in the listener that can be cathartic. When you’re wrong, you’re soppy, sentimental.
PAUL SIMON -
It was easier than explaining DiMaggio’s use as a metaphor.
PAUL SIMON -
How much can you do with two voices? You can sing thirds or you can sing fifths or you can do a background harmony.
PAUL SIMON